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Alissandratos, Julia, ‘Filling Some Holes in Gogol”s not Wholly Unholy “Overcoat”‘, Slavonic and East European Review, 68.1 (1990), 22-40

Andrew, Joe, & Reid, Robert, eds, Gogol 2002: Gogol special issues in two volumes, Essays in Poetics (Keele: Keele University, 2003-2004)

Basom, Ann Marie, ‘The Fantastic in Gogol’s Two Versions of “Portret”‘, Slavic and East European Journal, 38.3 (1994), 419-37

Bely, Andrey, Gogol’s artistry, trans. Christopher Colbath, foreword by Vyacheslav Ivanov (Evanston, IL: Northwestern University Press, 2009)

Bernheimer, Charles C., ‘Cloaking the Self: The Literary Space of Gogol’s “Overcoat”‘, PMLA, 90.1 (1975), 53-61

Bolʹshakova, N.V., Gogolʹ v shineli na istoricheskoi podkladke (Moscow: Sputnik+, 2009)

Brombert, Victor, ‘Meanings and Indeterminacy in Gogol’s “The Overcoat”‘, Proceedings of the American Philosophical Society, 135.4 (1991), 569-75

Davydov, Sergey, ‘Gogol’s Petersburg’, New England Review, 27.1 (2006), 122-7

Dilaktorskaia, O. G., Fantasticheskoe v ‘Peterburgskikh povestiakh’ N.V. Gogolia (Vladivostok: Izd-vo Dalʹnevostochnogo universiteta, 1986)

Driessen, Frederik Christoffel, Gogol as a short-story writer: a study of his technique of composition, trans. Ian F. Finlay (The Hague: Mouton, 1965)

Eichenbaum, Boris, ‘The Structure of Gogol’s “The Overcoat”‘, Russian Review, 22.4 (1963), 377-99

Erlich, Victor, Gogol (New Haven, CT: Yale University Press, 1969)

Fanger, Donald, The creation of Nikolai Gogol (Cambridge, MS; London: The Belknap Press, Harvard University Press, 1979)

Franz, Philip E., ed., Gogol: A Bibliography (Ann Arbor, MI: Ardis, 1983)

Frazier, Melissa, ‘Space and Genre in Gogol”s Arabeski’, Slavic and East European Journal, 44.3 (1999), 452-70

Frazier, Melissa, Frames of the imagination: Gogol’s Arabesques and the romantic question of genre (New York: P. Lang, 2000)

Fusso, Susanne, and Meyer, Priscilla, eds, Essays on Gogol: logos and the Russian word (Evanston, Ill: Northwestern University Press, 1992)

Fusso, Susanne, Designing Dead Souls: An Anatomy of Disorder in Gogol (Stanford, CA: Stanford University Press, 1993)

Gillel’son, M.I., Manuilov, V.A., Stepanov, A.N., Gogol v Peterburge (Leningrad: Lenizdat, 1961)

Gippius, Vasilii Vasilʹevich, Gogol, ed. and trans. Robert A. Maguire (Ann Arbor: Ardis, 1981)

Gliants, Vladimir, Gogolʹ i apokalipsis (Moscow:Eleks-KM, 2004)

Graffy, Julian, Gogol’s The Overcoat (London: Bristol Classical Press, 2000)

Grayson, Jane, and Wigzell, Faith, eds, Nikolay Gogol: text and context (Basingstoke: Macmillan, 1989)

Gregg, Richard, ‘Gogol’s “Diary of a Madman”: The Fallible Scribe and the Sinister Bulge’, Slavic and East European Journal, 43.3 (1999), 439-51

Gustafson, Richard F., ‘The Suffering Usurper: Gogol”s “Diary of a Madman”‘, Slavic and East European Journal, 9.3 (1965), 268-80

Gus, Mikhail Semenovich, Gogolʹ i nikolaevskaia Rossiia (Moscow: GIKhL, 1957)

Hammarberg, Gitta, ‘Sartor Resartus: Gogol’s Overcoats’, Russian Review, 67.3 (2008), 395-414

Hippisley, Anthony, ‘Gogol’s “The Overcoat”: A Further Interpretation’, Slavic and East European Journal, 20.2 (1976), 121-9

Jones, Danielle, ‘Multifacted Metaphor: Gogol’s Portrayal of St. Petersburg in “Dead Souls”‘, Rocky Mountain Review of Language and Literature, 56.2 (2002), 7-24

Ivanitskii, A.I., Gogolʹ: morfologiia zemli i vlasti (Moscow: Rossiiskii gos. gumanit. universitet, 2000)

Karlinsky, Simon, The Sexual Labyrinth of Nikolai Gogol (Cambridge, MA: Harvard University Press, 1976)

Khapaeva, Dina, ‘Unfinished Experiments on the Reader: Nikolai Gogol’s Petersburg Tales’, Russian Studies in Literature, 46.2 (2010), 46-98

Khapaeva, Dina, Koshmar: literatura i zhizn’ (Moscow: Tekst, 2010)

Kutik, Ilya, Writing as Exorcism: The Personal Codes of Pushkin, Lermontov, and Gogol (Evanston, IL: Northwestern University Press, 2005)

Lachman, Renate, ‘Gogol’s Urban Imagination: St Petersburg and Rome’, Russian Literature, 56 (2004), 243-53

Lavrin, Janko, Gogol (London: George Routledge & Sons, 1925)

Maguire, Robert A., Exploring Gogol (Stanford, CA: Stanford University Press, 1994)

Maguire, Robert A., ed., Gogol from the twentieth century: eleven essays (Princeton, NJ: Princeton University Press, 1974)

Iu.V. Mann, ed., Gogolʹ: materialy i issledovaniia (Moscow: Nasledie, 1995)

Meyer, Priscilla, & Rudy, Stephen, eds, Dostoevsky & Gogol: texts and criticism (Ann Arbor: Ardis, 1979)

Mills, Judith Oloskey, ‘Gogol’s “Overcoat”: The Pathetic Passages Reconsidered’, PMLA, 89.5 (1974), 1106-1111

Moeller-Sally, Stephen, Gogol’s afterlife: the evolution of a classic in Imperial and Soviet Russia (Evanston, IL: Northwestern University Press, 2002)

Nabokov, Vladimir Vladimirovich, Nikolai Gogol (New York: James Laughlin, 1961)

Nilsson, Nils Ake, Gogol et Petersbourg: Recherches sur les antecendents des Conts Petersbourgeois (Stockholm: Almqvist & Wiksell, 1954)

Peace, Richard Arthur, The enigma of Gogol: an examination of the writings of N.V. Gogol and their place in the Russian literary tradition (Cambridge: Cambridge University Press, 1981)

Popkin, Cathy, The pragmatics of insignificance: Chekhov, Zoshchenko, Gogol (Stanford, CA: Stanford University Press, 1993)

Rancour-Laferriere, Daniel, Out from under Gogol’s Overcoat: a psychoanalytical study (Ann Arbor, MI: Ardis, 1982)

Rowe, William Woodin, Through Gogol’s looking glass: reverse vision, false focus, and precarious logic (New York: New York University Press, 1976)

Schillinger, John, ‘Gogol’s “The Overcoat” as a Travesty of Hagiography’, Slavic and East European Journal, 16.1 (1972), 36-41

Seifrid, Thomas, ‘Suspicion Towards Narrative: The Nose and the Problem of Autonomy in Gogol’s “Nos”‘, Russian Review, 52.3 (1993), 382-96

Shapiro, Gavriel, Nikolai Gogol and the Baroque cultural heritage (University Park, PA: Pennsylvania State University Press, 1993)

Shepard, Elizabeth C., ‘Pavlov’s “Demon” and Gogol’s “Overcoat”‘, Slavic Review, 33.2 (1974), 288-301

Siniavskii, A. (Abram Terts), V teni Gogolia (London: Overseas Publications Exchange/Collins, 1975)

Sloane, David, ‘The Name as Phonetic Icon: A Reconsideration of Onomastic Significance in Gogol’s “The Overcoat”‘, Slavic and East European Journal, 35.4 (1991), 473-88

Soḳoloṿ, B., Gogolʹ: Entsiklopediia (Moscow: Algoritm, 2003)

Spieker, Sven, ed., Gogol: exploring absence; negativity in 19th century Russian literature (Bloomington, IN: Slavica, 1999)

Stilman, Leon, ‘Gogol’s “Overcoat”: Thematic Pattern and Origins’, American Slavic and East European Review, 11.2 (1952), 138-48

Trahan, Elizabeth W., Gogol’s “Overcoat”: an anthology of critical essays (Ann Arbor, MI: Ardis, l982)

Troyat, Henri, Gogol: the biography of a divided soul, trans. Nancy Amphoux (London: Allen and Unwin, 1974)

Vinogradov, V.V., Etiudy o stile Gogolia (Leningrad: Academia, 1926)

Vinogradov, V.V., Evoliutsiia russkogo naturalizma: Gogolʹ i Dostoevskii (Leningrad: Academia, 1929)

Vinogradov, V.V., Gogol and the natural school, trans. Debra K. Erickson and Ray Parrott (Ann Arbor, MI: Ardis, 1987)

Waszink, Paul M., ‘Mythical Traits in Gogol’s “The Overcoat”‘, Slavic and East European Journal, 22.3 (1978), 287-300

Woodward, James B., The symbolic art of Gogol: essays on his short fiction (Columbus, OH: Slavica, 1981)

Zeldin, Jesse, Nikolai Gogol’s Quest for Beauty: An Exploration into His Works (University Press of Kansas, 1978)

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